I've spent some of the morning reading through submissions for the fall issue of Wolf Willow Journal, and am, in between virtual meetings, trying to get submissions for novels and poetry chapbooks ported to my iPad so I can read them (and make notes) while we spend Thursday and Friday travelling to our summer house.
I'm currently scarfing down lunch, with a chaser of scalding hot espresso, while weeding through a pile of submissions. I'm also adding to my list, which I'll post later this summer, of things poets (and other writers) should not do, under any circumstances. But I've gotten sidetracked, which is wont to happen when I'm multitasking, so I'll rein my thoughts back in and set them back on their proper course.
Probably the single most important thing I can suggest new(er) writers do is this: READ. And don't just read a little. Read a lot, an awful lot, then go read some more. Read within your genre, read outside of it. Read the good, the bad, and the ugly. You'll learn something from all of it. Now, go read even more. Yes, I probably sound like I'm standing on a soapbox, preaching. I am. For a reason. Reading will help you improve your writing!
One of the reasons that I suggest this is that reading gives you a broad perspective on how other people choose and use words, and to what effect. It's one thing for me to tell a fledgling writer to broaden his or her use of language. It's quite another to send them delving through various genres of literature, to see what others have chosen to do with language. I can tell a new writer that Milton's language is full of vivid imagery, but that same writer is far, far better off to actually go read Milton (including Paradise Lost) and make notes on the passages and phrases that really strike a chord.
Now ... go read a book (or five)!
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