I've been reading a fair number of independent and self-published novels of late, primarily as research to see the type of market into which several of my clients are venturing. What strikes me again and again is the lack of editing, even standard copy-editing (which most people refer to by the misnomer of 'proofreading'). It's really, really hard to take a work seriously when you're looking at substantial errors, errors that could so easily have been fixed.
So I'm extolling the virtues of my own profession, to an extent, when I plead with authors seeking to self-publish, please, please have someone edit your work. There's nothing worse, in my eyes, than picking up a promising book and getting no further than the first page before you see a typo or a simple grammatical mistake. So please, please, please ... get your book edited before you send it off into the world. Trade favours with another writer, if you can't afford an editor, but please have someone (and not just your mother's sister's boyfriend's best friend who reads a lot) edit your book. (I'll climb off my soapbox now, lol).
Sometimes Mommy manages to write a lot, but more often Mommy only manages to write a bit. Want to know why? Read on!
Wednesday, January 30, 2013
Monday, January 14, 2013
More client news: The art of the poet
There's a nice profile and discussion of my client, Raymond Chong, in this month's issue of Sushi and Sake.
This is further publicity for his recent book, Orchid Flower Love Poetry: Amorous Moods of Sensuous Passion, and gives a bit more background on both Raymond and his recent project.
This is further publicity for his recent book, Orchid Flower Love Poetry: Amorous Moods of Sensuous Passion, and gives a bit more background on both Raymond and his recent project.
Sunday, January 13, 2013
Busy-ness!
It's been a rather busy week around here as I plan for another year of writing and editing. With a bit more time this year, I'm doing a bit more, which brings with it having to plan and schedule my writing and editing a bit more than I had been.
I'm working with several new editing clients this year, as I shift my focus away from tutoring and toward editing fiction and poetry. This brings new challenges, and new scheduling difficulties, but also a more constant workload (and source of income). I'm looking forward to what the new year brings, and am working toward publishing more, myself, this year ... which means dealing with the pile of unfinished manuscripts languishing on my computer.
This morning, between the usual weekend chores and the boys' Skylander-ing, I managed to polish and submit one piece. I have a revised draft of another to sit on overnight, then edit again. I've been selecting potential markets with deadlines to force myself to actually submit. So far it seems to be working, so wish me luck!
Wednesday, January 9, 2013
A literary journey through poetry
One of my editing clients, Raymond Chong, has an article in today's Star Phoenix in which he discusses his writing of his latest book of poems, Orchid Flower Love Poetry: Amorous Moods of Sensuous Passion.
The article, A literary journey through poetry, is available here, and reveals some of the thought process behind Chong's unique perspective on love.
The article, A literary journey through poetry, is available here, and reveals some of the thought process behind Chong's unique perspective on love.
Tuesday, January 1, 2013
Book Review: Eddystone Light
Amelia
Smith
Eddystone Light
Smashwords, 2012
24 975 words. $2.99
9781301748426
Eddystone Light
Smashwords, 2012
24 975 words. $2.99
9781301748426
Amelia
Smith's novella, Eddystone
Light,
begins with a conversation in which Jack's father implores him to
“marry a land girl. A nice land-girl.” And thus the reader
gains insight into Jack's life, his connections to the sea, and his
desire for “respectability” above all else. But respectability
doesn't come easily to Jack. Not quite part his Aunt Ermintrude's
respectable land-society, Jack isn't entirely comfortable at the
lighthouse with his father, either. Caught between two worlds, Jack
must ultimately decide which one he wants to be part of, a decision
that doesn't come lightly.
As
the novel begins, Jack promises, if only to appease his father, to
marry a “nice land-girl.” But
he also discovers more about his mother, about whom he knows very
little. From there, the reader follows Jack through a series of
adventures (or perhaps misadventures) as he learns more about his
mother and her people. Along the way, Jack begins to realize the
true depth of his relationship with the sea.
Smith's
novella provides an interesting perspective on and expansion of an
early 20th century folk song. It is an enjoyable afternoon's read,
complete with several interesting and somewhat quirky characters.
Eddystone Light is available at:
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